What happened to July? I can’t believe the month clocked over and I have an ‘archive’ for July! I’m still figuring out how to manage this blog. As I spend a lot of time grazing non-fiction, munching on poetry, dipping into reference books, and even occasionally re-reading novels that I’ve loved or that I feel a need to re-visit, this blog could get very cluttered. So I’ve figured I need to keep the focus on the new fiction I’ve discovered (whether it’s a recent release or otherwise.)
Ironically, August is going to a much leaner month on the new reading front. But for the record, following is a list of the ‘new’ fiction I read in July. I mentioned some of them in earlier postings and haven’t listed some of the non-fiction or ‘second-read’ novels that I’ve referred to throughout July. If you want to know what I actually thought about any title that I didn’t review, send me an email.
Junior & YA fiction
Drift – Penni Russon, Bird & Sugar Boy – Sophie Laguna, Being Bee – Catherine Bateson, Leaving Barrumbi – Leonie Norrington, Layla Queen of Hearts – Glenda Millard, My Life My Love My Lasagna – Stephen Herrick, The Tuckshop Kid – Pat Flynn, The Punjabi Pappadum – Robert Newton, Tuck Everlasting – Natalie Babbit, Skullduggery Pleasant – Derek Landy, Dog Boy – Victor Kelleher
Black Swan Green – David Mitchell, The history of love – Nicole Krauss, Extremely Loud and Incredibly Close – Jonathon Safran Foer, The Second Wife – Elizabeth Buchan, Oryx & Crake – Margaret Atwood, Happenstance – Carol Shields, Selected Short Stories – Dave Eggers
I found a book that swallowed me whole. It was fantastic – just like free-falling. Penni Russon‘s ‘Drift’ was a breath-taking finale to her Undine trilogy. I couldn’t put it down which was exactly the sort of tonic I was looking for after a heavy week of reading reference materials.
I also had a lot of fun with Catherine Bateson’s book ‘Being Bee’. It’s on this year’s CBCA Award shortlist with good reason. It was sharp and funny and touching without being sentimental. I liked Bee, the main character. Bee has to come to terms with her father introducing a ‘step-mother’ into her life. It’s a difficult time in any kid (or adult’s) life and a tough subject to write about without characters becoming cliched.
I almost can’t be bothered mentioning that I read Elizabeth Buchan’s ‘The Second Wife’ which is an adult book but it confirms that adult literature has no monopoly on good prose. It was clunky and unbelievable and I was cross I’d wasted my time. As a modern tale of second families, it wasn’t a patch on the charming ‘Being Bee’. There’s no question that Bateson is the better writer.
‘Layla, Queen of Hearts’ is also on the shortlist and was a sweet sequel to Glenda Millard’s earlier book ‘The Naming of Tishkin Silk’. I don’t usually go for this style of warm and fuzzy feel-good story but Millard does it so well and her prose is lovely.
If a book has a child as the hero of the story, is it a children’s book? It’s pretty much a given that children’s books have child protagonists. But these days, an awful lot of successful adult novels feature child heroes.
Maybe all adults are really big kids trapped inside grown-up bodies. Or maybe, as life in the 21st century becomes more complex, the child hero has started to represent how small we all feel when faced by the big, messy modern world. This month I’ve read a bunch of novels written for adults that have child protagonists. One or two of them have left me wondering about where we draw the line between Adult and Young Adult novels. It’s a blurry, grey shadow-land between adolescent and adult fiction.
David Mitchell’s ‘Black Swan Green’ was short-listed for the Man-Booker Prize and has been marketed as an adult book but I would have loved this book when I was thirteen and I love it now. It felt true, which is always the hallmark of a good read, as well as being funny, poignant and vivid. What more can you ask from a book, whether you are 16 or 60? Jason Taylor is the thirteen-year-old hero of the story who suffers a tough year in school and at home but comes through it with integrity.
Another great teenage protagonist is Alma from Nicole Krauss’ ‘A History of Love’. It may sound like a soppy title but it’s a beautifully written book. Alma is fifteen years old but there is something about her spunkiness and compassion for other people that reminds me of Scout from ‘To Kill a Mockingbird’. There’s also a character in his eighties, Leo, whose story runs parallel to Alma’s. It’s a complicated structure but it makes sense in the end.
Jonathon Safran Foer has a slightly annoying nine-year-old protagonist, Oskar, as the hero of his book ‘Extremely Close and Incredibly Loud’. I haven’t made my mind up about this kid. I know the reader is meant to feel sorry for him but he is pretty aggravating and, for me, not 100% believable. But the book itself is intriguing, and I’m sure there’s a lot of people who found Oskar convincing.
The structure of each of these books is unconventional so they could prove challenging for reader’s who prefer a traditional narrative. But for the daring (older?) teenager, they could provide an engaging pathway to adult literature.